“For its part, “Far From Any Road,” which opens each episode of “True Detective,” features a dead body “hidden in the branches of poison creosote.” A funereal dirge featuring Brett’s gorgeous baritone, the song offers texture that bleeds into the series itself.”
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“For HBO’s new critically acclaimed miniseries, True Detective, starring Matthew McConaughey and Woody Harrelson as Louisiana sleuths, and New Mexico-based Americana band the Handsome Family, it is a marriage made in heaven (or hell?). True Detective is a dark, Gothic crime anthology about occult murders that has become HBO’s highest-rated series debut since 2010. The Handsome Family’s lyrics and songs are equally twisted and melancholic; it is no wonder True Detective found the Handsome Family.”
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We are glad to announce two versions of the ever so popular True Detective theme song which happens to be The Handsome Family’s “Far From Any Road”.
Get them here and here!
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Shot by Daniel Knox, John Atwood, and Mike Davis
8 Nov - Seattle, WA @ The Sunset Tavern #
9 Nov - Portland, OR @ Doug Fir Lounge #
10 Nov - Eugene, OR @ Sam Bond’s Garage #
12 Nov - San Francisco, CA @ Cafe Du Nord #
13 Nov - Berkeley, CA @ Freight & Salvage %
14 Nov - Davis, CA @ Mondavi Center ^
15 Nov - Santa Cruz, CA @ The Rio Theatre ^
16 Nov - Santa Cruz, CA @ The Rio Theatre ^
18 Nov - Arcata, CA @ Humboldt State University ^
19 Nov - Chico, CA @ Cal State Chico ^
21 Nov - Santa Barbara, CA @ UC Santa Barbara ^
22 Nov - Los Angeles, CA @ The Bootleg
# - Wildewood
% - Mary Gauthier
^ - Andrew Bird
In the latest installment of Pitchfork.com’s “5-10-15-20″ Neko Case gives a shout out to The Handsome Family, and their role in her move to Chicago at the age of 30.
“I moved to Chicago when I was 30, and I was listening to the Handsome Family a lot. I wasn’t finding an embracing music scene in Seattle, and Chicago had a community feeling that reminded me of Canada. I had a job animating shadows for animated commercials—like the Trix Rabbit—which was awesome. I colored things in on a computer and did pencil tests. I was doing the manual labor of the animation. I’m proud to have done it. That’s the last day job I ever had.
I didn’t think I was a musician until I was about 32, probably—it’s such a sacred thing to me that I didn’t feel worthy of calling myself that. But then I realized I didn’t have any day jobs because I had to quit them all because I was on tour all the time. When tax time came, I thought, “I’m paying taxes as a musician, so I think I can call myself one.”
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